Check out their new album and apparel at:
Check out their new album and apparel at:
Bryce Fraser, writer
Capital Cities preformed for the second time at the Ace OF Spades Venue on Friday night. Bands on tour with Capitol Cities, Gold Fields, that
originated from the country of Australia, and DWNTWN got the crown warmed up, with both giving a wonderful performance.
Finally, the lights went down and the indie rock band Capitol Cities came out with their mac computers and guitars, what makes them a truly unique band, is Their trumpet player, Spencer Ludwig. Together they really had a refreshingly different tone which sets them apart from other indie rock bands.
Capital Cities preformed 3 cover songs, Prince’s “Nothing Compares To You”, “Staying Alive” by the Bee Gees and, “Celebration” by Kool & The Gang. They also played all their fan favorites, such as “Kangaroo Court”, “Love Away”, Patience Gets Us Nowhere Fast, and of course their hit song Safe and Sound” giving it their all they really gave fans an amazing a show.
April 30, 2013 – Barquisimeto, Venezuela – Latin America’s bass music maestro, Zardonic, is back with a new track, following a successful international tour spanning four continents, from his native Venezuela all the way to Japan!
Download Zardonic & Voicians – “Bring Back The Glory (210 Mix)” here:
Following up his 2012 Beatport chart topping album “Vulgar Display Of Bass“, Zardonic is preparing to release a full-length remix album titled “Far Beyond Bass – The Vulgar Remixes”
featuring brand new reworks by electronic music heavy-hitters ANiMAL-MUSIC, Counterstrike, Black Sun Empire, State Of Mind, Delta 9, and many others.
Lester Robancho, writer
As I parked my car on the gravel parking lot across the street from The Boardwalk, I didn’t really know what to expect from Burn Halo, who had a show there that night. They attracted a pretty good sized crowd, all varying in age and background. The moment Burn Halo took the stage the atmosphere instantly changed. Compared to the local bands that played before them, things became really different really fast. They came out strong with their first song “Save Me.” They immediately followed with “Up From the Ashes.” The crowd was already rocking out and moving to the music.
Lance Gawthrop, writer
Febuary 5, 2013
Nonpoint – straight to the point – Nonpoint has nonstop energy that resembles P.O.D.’s way of screaming and distorted guitar riffs with every head swaying – even grannies heads can be found rocking back and forth – at Ace of Spades in Sacramento.
The jam “Wake up the World” was kicking out with Elias Soriano on a platform growling lyrics from behind lengthy dreads. After Nonpoint blasted the track they could have walked off stage at that moment and called it a night, but Nonpoint’s front man Soriano, original drummer Robb Rivera, three new guitarists – Dave Lizzio and Rasheed on leads, and Adam Wolosyzen slapping the bass, wasn’t playing a one hit wonder leaving a bad taste in the back of a dry throat with dry rot. Instead, the newly developed group revealed that their band has great chemistry.
Soriano was able to bounce from the front of the stage to the side of the stage; while bellowing his god given grunts without ramming into Thomas or Lizzio. Wolosyzen was slamming bass chords in his own little bass land world without bumping into his mates either, and Rivera’s drumming is heaven sent for percussion heads.
Right before Nonpoint performed “That Day”, Soriano sang a break from Tupac’s “California Love” letting the audience know California knows how to party. Then, the remake with nearly 4 million views on YouTube, “Air Tonight”, was recognized by the crowd, but not nearly as identifiable as “Bullet with a Name on It”. The band was able to stop playing all of their instruments simultaneously as the mass sang the rest of the lyrics – totally awesome.
Bryce Fraser, writer
January 26, 2013
Fallrise took the stage at Ace of Spades Saturday night on January 27th, and brought one of the biggest and best local shows to hit the stage of the venue. Opening bands included Madison Avenue, Misamore, White Minorities, Prylosis, and Dimidium.
Alisha Kirby, Arcurrent
November 8, 2012
Ace of Spades was overrun by indie rock Tuesday as Motion City Soundtrack, Jukebox The Ghost and Now, Now took the stage and filled the local venue with enough energy to fill a few hundred cans of Red Bull.
Now, Now kicked things off with a couple of songs off of their new record “Threads,” including “Lucie Too,” “Wolf” and “Separate Rooms.” As they transitioned into older songs in their catalogue it became apparent how much they’ve grown as musicians. While the band got stronger reactions from the crowd with songs from their older albums, “Neighbors” and “Cars,” the complexity and energy of new tracks like “Prehistoric” made their set that much more exciting.
I hadn’t heard of Jukebox The Ghost before the show but their keyboardist’s intricate playing, theatric showmanship and expansive vocal range quickly made a fan of me. Even the band’s drummer made sure the audience took notice. Throughout the set he shifted between a handful of different shakers, maracas and bells, sometimes using them in place of a drumstick to catch his ride hits. All the while the guitarist wove in and out of the sticks and shakers raining down around him, continuing to hit every note. Their upbeat brand of piano-pop was a highlight of the bill.
Not to be outdone, Motion City Soundtrack came out immediately playing the fan favorite “Attractive Today” and a few other tracks from their album “Commit This To Memory.” In fact, the band used their time to not only promote songs from “Go,” their most recent album, but to rile up the crowd with the biggest songs from all of their records. They drew entire crowd sing-alongs out of songs like “The Future Freaks Me Out,” “A Life Less Ordinary (Need a Little Help),” and “Everything Is Alright.”
There were a few microphone malfunctions throughout the night during both Now, Now and Jukebox The Ghost’s sets, but those issues were quickly resolved and hardly noticeable. With only three bands on the bill each one got to play longer sets, lending to one great outcome: more time listening to music with less waiting around for everyone to set up and break down the stage. O
Ashley King, Arcurrent
October 22, 2012
When summer seems so far away and the cozy thought of sweaters in winter is distant, The Lumineers swooped in and saved us with their loving musical embrace for two nights at Harlow’s in Sacramento on Oct. 9 and 10. For the night, we were all transported to a country barn with good friends and beautiful earnest music made out of feelings.
The Lumineers are one of the growing bands in the “roots revival” movement giving music listeners a refreshing change. The style is smartly written, inviting, simple musical genius. Like their brothers in genre Mumford & Sons, Edward Sharpe and the Magnetic Zeros, their music is made for clapping, stomping and singing.
The band poured out the spaces behind varying instruments and filled the stage. They arrived dressed modestly in simple clothes and they would look just fine traveling via horse and buggy. They did, however, break the cardinal rule: there were not one, but two fedoras in the group. Like the gentlemen they were, though, they removed them frequently when speaking with heavy sentiments and covered their hearts.
Ashley King, Arcurrent
October 10, 2012
If The Killers, Kooks and Beach Boys had too much sangria, they might wind up nine months later with a mystery love child named the Wombats. On Oct. 4, The Wombats brought their brothers from across the pond, Morning Parade, and sold out Blue Lamp in Midtown Sacramento.
When the Liverpool trio took the stage, every hand went up to clap eerily in beat. Even the baby boomers with their Bloody Marys in hand stood up. It was much like stepping into church and not knowing any of the hymns, but being moved by the energy in the room. From the moment lead vocalist Matthew Murphy opened his mouth, the audience was enraptured, swaying and singing every word.
The show was a comfortable reflection of their studio work. Their vocals were on point despite being thrown against the awkward acoustics of the venue. Their songs didn’t pull at any heartstrings. Instead they inspired a, “who cares? Let’s just dance” type of energy. Beach-y background vocals included such inspiring lyrics as “ooh” and “wah” They were perfect tunes for solo dancing or reading a book at the ocean.